Friday, December 23, 2011

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Wednesday, December 7, 2011

An Introduction to Carlton Ware

!±8± An Introduction to Carlton Ware

When you mention Carlton Ware to people one of the first things they usually think of is the Guinness toucan, which was first introduced in 1950 or the mugs on legs, commonly known as 'walking ware', which first appeared in the 1970s. There is, however, a lot more to Carlton Ware and their colourful ceramics are much sought after and very collectable.

Carlton Ware began in 1890 when James Frederick Wiltshaw and brothers JA and WH Robinson formed the company Wiltshaw and Robinson in Stoke-on-Trent and named it the Carlton Works. There was huge competition in the pottery industry but Carlton Ware got off to a good start with 'Blush ware', a range of floral patterns applied to tinted earthenware. It was very successful and soon proved serious competition for Fieldings Crown Devon, who were the market leader at the time.

Disaster struck when James Wiltshaw, who was by now the sole proprietor, was killed by a train 1918. His young son Frederick Cuthbert Wiltshaw took over and allowed the designers to explore and introduce the new lustrous glazes and exotic patterns inspired by the orient, which were very fashionable at the time. He saw the work of a young artist, Violet Elmer, at a local exhibition in the mid 1920s and offered her a job. She accepted and it proved inspirational, it brought the company huge success.

It is easy to identify Carlton Ware because it is well marked and easy to date because of a chronological timeline of patterns and well documented list of pattern numbers; it is not quite as easy to identify designers. In 1951 a fire at the factory destroyed much of the detailed history and it was lost forever.

In 1921 Enoch Boulton, who had first worked at the factory in 1908, became senior design manager. His stylish and colourful designs gave us many of Carlton Ware's most popular lines of which two of the most outstanding were 'Chinaland' and Tutankamun ware, which was introduced to celebrate Howard Carter's discovery of the tomb of Tutan Kamun. These are much sought after today and collectors will pay between £500 - £1,000 for a vase or bowl. The record for a rare 'Tomb' jar is £6,000 which was sold at Christie's in 2000.

In the late 1920s Carlton Ware began to experiment with patterns such as 'Paradise Bird and Tree' and 'Feathered Tail Bird', these were landscapes with layers of decoration, rich gilding and sumptuous enamels applied over lustrous grounds. When Enoch Boulton left the company in 1930 Violet Elmer took his place. She introduced dramatic new designs and also helped develop the forms on which they would be displayed, such as tea cups, vases, dishes, pedestal bowls and ginger jars. They often contained geometric forms, abstract motifs, zigzags and flashes and can be seen in patterns such as 'Scimitar' and 'Floral Comets'. One of the most valuable patterns of the time was 'Mephistopheles' and it propelled Carlton Ware to the very top. The intricate designs were time consuming and expensive to produce which put them into the luxury bracket and they were purchased by the wealthiest people of the day to adorn their homes.

When Violet Elmer left at the end of the 1930s to get married, her place was taken by Rene Pemberton who had been trained by Susie Cooper at Gray's Pottery. The patterns 'Spider's Webb', 'Heron and Magical Tree' and 'Rabbits at Dusk' are believed to be hers.

Nowadays Carlton Ware is not as popular as it was and prices peaked in the late 1990s and early 2000s when you would have had to pay between £2,000 - £5,000. As prices have come down a bit now might be a good time to buy if you are interested in collecting Carlton Ware. You should be able to get a small bowl or vase for around £50, but the top end patterns like 'Scimitar' and 'Mephistopheles' will fetch four figure sums. While this is a lot of money you are buying a piece that is beautifully crafted and could possibly prove to be a good investment.


An Introduction to Carlton Ware

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Wednesday, November 9, 2011

There is More to Chinese Lamps Than The Round Paper Lanterns

!±8± There is More to Chinese Lamps Than The Round Paper Lanterns

Whether you are Chinese in ethnicity or just hope to visit one day, Chinese decorating styles have made their way around the world and are popular all over. The intricate use of porcelain in the build of Chinese lamps that are used for interior decorating with Asian influences is highly regarded in all cultures. In addition to lighting, the unique and ornate furniture that is created with influences of China and Japan, along with their techniques on arranging the items in the home make the Asian culture stand out when it comes to interior design.

Feng Shui is the Chinese art of placement and is essential when using Chinese influences to design your living space. Whether you actually believe that the way you position your furniture has an impact on your financial and physical well being really has nothing to do with it. However, the general principles will also help the furniture flow together a little better and maximize useful space in your room. Lighting will also be placed strategically to light the area appropriately.

When you think of Chinese lamps, chances are that your mind goes directly to round paper lanterns. This is one of the designs you can find, and one of the most popular by far. They are also some of the most versatile design choices, as that can go just about anywhere. Find an empty corner in your home where you may ordinarily put a floor lamp or a table with a lamp on it. Instead of lighting from the ground up, try the opposite. Hang a string of four or five paper Chinese lamps from the ceiling, stopping them just below where the lamp would have stood to. It doesn't take up any more space than a table or floor lamp would have, but it just gives the room a different look and appeal.

Chinese lamps don't have to be paper lanterns, and many different styles of lamps are simply Chinese-inspired. A large, porcelain based lamp can fill up an otherwise empty table and are beautiful on a China hutch or mantle if you have the room. Many are embellished with designs of Chinese writing and pictures, while others are solid colors common in traditional and ancient Chinese culture, like jade and red. The lamp shades on these types of lamps are generally white or cream in color, not to take away from the intricate detail and vibrant colors influenced by the Chinese culture.

These lamps can be very expensive or incredibly inexpensive, depending on where you go and what you're looking for. You don't have to spend a fortune on a stunning Ming Vase lamp when you can get a similar design at a furniture closeout store or second hand. You may pay a premium for design and detail that no one will ever notice but you. Set your priorities as far as which styles are most important to you in your home, then shop accordingly. Because you can use such a large variety of shapes, styles and sizes, Chinese lamps throughout the home can set a distinctive tone and style.


There is More to Chinese Lamps Than The Round Paper Lanterns

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